mardi 31 juillet 2007

So here we are, our eyes boggling

ALZHEIMER'S EYE TEST
 
Count every " F" in the following text:
 
  FINISHED FILES ARE THE RE
  SULT OF YEARS OF SCIENTI
  FIC STUDY COMBINED WITH
  THE EXPERIENCE OF YEARS...


  How many are there then?
  WRONG, There are 6 -- no joke.
  READ IT AGAIN !

Seriously, go back and read again.
 
  The reasoning : 
  The brain cannot process "OF".
  Incredible or what? Go back and look again!!
  Anyone who counts all 6 "F's" on the first go is a genius.
  Three is normal, four is quite rare.

lundi 30 juillet 2007

So here we are weekending in Nantes


I've just come back from a wonderful and rather boozy weekend in Nantes. Olivia, whom I have known for more than ten years and has been my soul sister since, is there over the summer as part of her urbanism course and is, between bouts of panic, working on the rehabilitation of Nantes' grotty old industrial dock area and its conversion in to a cultural zone in town. I took a train friday afternoon with Gery, another old friend who is well on his way to becoming a lieutenant de police, and we arrived in Nantes around seven. Olivia's uncle and aunt's flat is near the station, a five minute walk from the beautiful medieval center of town.

Saturday was a terrific day. We emerged late having drunk and eaten our way through three courses at home the previous night, and ventured in to town around eleven. There is a cathedral and narrow little streets, as well as big shops in old 18th century buildings and a beautiful old gallery of shops made of glass and wrought iron. We ventured towards the Loire river, which link Nantes to St Nazaire and forms an estuary; the île de Nantes is where the old docks were, with large industrial warehouses and buildings from the late 19th. Today it is at the center of a massive urban renovation project, and the island is to be turned in to pole culturel, the challenge of which is to get businesses, artists' associations, public & private money, social housing and all things cultural all rub along together.


Over the summer there is a massive culturel event, Estuaire 2007, which provides free exhibitions, boat trips mixed with modern art sprinkled in the surroundings and the like. It is also Jules Verne year, so it is all rather bubbly and exciting.

As you cross the river from the center of town to the île de Nantes on the new footbridge, the first thing that looms is the new Palais de Justice, an enormous and rather imposing slab of a building that is all black metal and black glass. Around this it is obvious that the island is still a pretty big buiding site, with reconversions of huge old warehouses (I love the name Hangar des bananes, which is what it was until a few years ago), scrub land, holes in the ground, but also parts that are alreay done, with a couple of late 19th buidings thrown in. Intersting mix. In one such massive warehouse was an art exhibition.


Further in to the island we came across a carrousel which was full of non-cute rides for the kiddies: the mounts were the creatures dreamed up by Jules Verne, from the strange Nautilus fish to ostriches to strange mechanical bats. There was also a huge robotic elephant walking about, which people could ride on and squirted water at unsuspecting passers-by from time to time out of an incredible mechanical trunk.


One walks along the Loire on the edge of this island, on a wide pedestrian path past all the modern art coloured hoops designed by the chap who did the pillars at Palais Royal. Trendy cafés with terraces are aligned along this bit, and we decided it was time for an aperitif as the sun was coming out.


After Pastis and lunch and wine, we tottered to an art exhibition next door called Rouge baiser. It is again free and organised by the local regional contemporary art foundation. I thought a lot of it was tosh, especially the film of hands massaging plasticine, the square yard of paper coloured in lipstick (imaginitively called un mètre carré de rouge à lèvres), the video of a stoned looking guy explaining to the camera that getting up is so hard, a white shirt on a hanger. You get the idea- conceptual stuff, not sure I got it, and the accompanying blurb leaflet was just, well, pages of blurb.

Back in town we decided to prepare for our fish supper, having walked through a market that morning that showed us that fish and shellfish are readily available in Nantes, and more importantly cheap. We found a boulangerie, and asked our way through town to a poissonnerie. I went in to one shop wanting to buy local foodie stuff for Paris (Breton specialties it transpires, I didn't know some Breton regionalistes believe Nantes is breton), but the woman told me kindly that all she sold was touristy crap from the Sud Ouest and told me to go to the market. She then recommended a poissonnerie. This detail, and the fact that all cars stop for pedestrians, that the waiters take time to stop and joke and it's all very cute and charming made us look at house prices. Absurdly cheap relative to Paris it turns out...

At the poissonnerie we got two dozen oysters, pas laiteuses (not milky, which they are at this time of year when they reproduce), some small grey shrimp, a kilo of small langoustines and a crab. Bought vinegar, shallots, lemon and ingredients to make a perfect parsley potato salad. After we had dumped all this in the fridge back home, we sat down for a couple of glasses of Pastis, as it was time for Olivia's surprise exhibition. Five minutes away from the house, wedged between a canal and train track is the old LU biscuit factory, an old industrial monster that is now a bar, restaurant, concert hall, exhibition center.

Tucked at the back, in a massive room is an incredible installation- Ondulation by Thomas McIntosh. Imagine a big dark cinema in which you are in the front row. As well as the screen there is a long, wide, rectangular pool of water in front of you. The gurgling pool is lit up by different lights and colours, and there are three little ountains that rise and fall randomly. Robotic beepy sounds issue from the dark; at the same time ripples of light appear on the screen, ripples of the sounds we are hearing. The fact is that after a few seconds taking all this in in the dark, you sit down and just stare for as long as you can. The fact that the echoing sounds, the patterns on the screen and the ripples skimming on the lit-up water all go together provokes a synesthesia where the brain blurs the senses: you're watching the sound and listening to the light. A very incredible experience indeed.

After a beer in deckchairs ouside (apéritif time again) , enjoying the evening sun we went back for the shell orgy we had planned. Olivia tackled the crab, Gery expertly opened the oysters, I poured more drinks and made potato salad. By now we were all red from the sun and the pub crawl (disguised as a cultural tour of Nantes) and we had a fabulous evening.


Gery left the next day and after a stint at the market where I bought all things honey related (sweets, wine- mead?-, soap), Olivia and I went walkabout in the old city. On the main square, the middle of which is usually occupied by a massive central fountain made up of a tall bronze statue of a woman (Nantes it so happens, and she stands on figures reprensenting the rivers and its affluents), there is now rather ugly structure of scaffolding with a large portacabin at the top of some stairs. It would be possible to walk past and think it is some elaborate renovation of the statue, but on inspection it turns out it another modern art installation. you go up the stps and arrive in... a hotel room, complete with functioning bathroom and TV/ DVD player, all done up very stylishly with in its center, yup, the bloody fountain.


It's all the more incredible that you can stay there for 60 € a night. It's fully booked until they take it down.

Lunch of crepes and cider, then beers and pastis and a long afternoon girly chat as one does after a couple of months of not seeing each other properly. We returned to the Ondulation exhibition and chatted for hours over dinner. Feeling slightly hungover today (but why?) but had a fabulous weekend. D'la balle les mecs! On se refait ça...

jeudi 26 juillet 2007

So here we are: la dolce vita in Tuscany

I've just got back from the first part of my summer holidays, a few days with my parents and old friends of the family in the latters glorious house in Tuscany. I promised Eileen, the lady of the house, not to give the exact location (to keep the hordes out of paradise!) but it is a done-up 19th century farmhouse in the Tuscan hills, that you get to by driving up the most narrow and twisting road I have ever been on.

A word on the house and land, which are simply spectacular. There are many old farmhouses in the area, some occupied, many abandoned like this one in a nearby deserted village.


Eileen and Alex, friends of my parents for more than thirty years, bought this place and 2 hectares of land a few years ago and trasformed it.


Today, it boasts over 200 hundred olive trees (yielding 160 liters of very fine olive oil annually) and a vineyard, that produces a few hundred liters of white wine that tastes slightly of chalky liver in my opinion, and red, which is fruity and slightly fizzy and quite delicious. There is a huge vegetable patch, fruit trees, and dozens of clumps of lavender which scent the dry Tuscan air and buzz in the heat with the presence of a million bees. All you can hear is the vegetation growing and the cicadas chirping in this incredible garden set halfway up a hill.


As for the house, where to start? There are two terraces. One for the morning and day, in front of the housewhere there is a big wooden table under a giant parasol. It looks down on to the sloped garden and the divine swimming pool on the level below, which is designed to make the water appear to be pouring in to the verdant surroundings. No need to go in to the pool, the description of the flowers, the lemon trees, the olive trees, the sheer beauty of it all, the pictures speak for themselves.



Halfway around the house, past the fragrant rose garden and towards the western face of the hill, is the evening terrace, that gives out on to the kitchen. From here you look down on to the distant town of Arezzo, and watch the sun set, perfectly, between the hills, glass in one hand.



The house itself is stunning: huge, with perfect bathrooms and a kitchen you usually only find in catalogues or TV-chef-in-Provence TV programs. The ground floor is where, jadis, the animals were kept but you wouldn't guess it today, done up in a simple, old stone exposed with white plaster and beams and red tiled floors manner. It is still a country house, cool with thick stone walls and windows shutting the sun out, but done up with all the modern details: the kitchen, themany bathrooms, 4 living rooms and 6 massive double bedrooms, where there are white accessories and old beams. The old pigeon loft at the top of the house is now a study.

But, really it is all about the outside, the lounging about, the gentle swims and the slow pace. The sundowners with dad, mum, Eileen, Alex, Mrs B., Eileen's mum, and later Sally. The food was amazing, Tuscan lasagnas and fennel infused porc, and veal with tuna and anchovies, and garden beans and lettuces with pecorino cheese and pears, and dense sausages and truffle ravioli. You got it: sleeping all day and scoffing and drinking the local wine. Yes, my trousers are a little tight.


In the mornings, mum, dad & I drove to Arezzo, where we visited Piero de la Franscesa's frescoes and ate ice-cream and looked at the beautiful surroundings.



Of course, dad & I also quarrelled a bit as one does on holiday with one's parents for the first time in seven years, but that was not the memorable part (I hope!). We had lunch and ate lots of ceps, and drank lots of red wine.

For the first time in months, I felt my insides unloosen, my muscles melt, my head clear, my senses sharp. I sat in the sun and thought of nothing, and read three books in four days.
Thank you thank you Eileen & Alex for your hospitality!

Now that I am back in Paris, all I can think about is going away agin, which is tomorrow at 5 PM when I board the train for Nantes to see my best friend Olivia.

dimanche 15 juillet 2007

So here we are calculating pi

The thing about pi is that it is an irrational number, which means that it is neither an integer (a whole number) or a ratio of integers (a fraction). Anything else is an irrational number as first coined by Euclid around 300 BC, over 200 years after Pythagoras had refused to even consider them, inding them an abomination to the concept of Mathematics.

It's true that irrational numbers are ugly. Not only are they not not whole and cannot be expressed as fractions, but they trail on or infintity with no recurring decimals. Take 0,111111111111 recurring for example, an ugly fucker that can nonetheless be neatly written as 1/9. Irrational numbers don't do that.

At school and in basic calculations pi is usually approximated to 3.14 or 22/7, but this is not exact. Go here to see what pi looks like a hundred thousand digits after the decimal. Pi cannot be written down because it is ininite and because the digits just go on without pattern. That said, the random pattern of pi can be computed (not calculated, we need machines for this) using the ollowing equation:

π = 4( 1/1 - 1/3 + 1/5 - 1/7 + 1/9 - 1/11 + 1/13 – 1/15 + …)

bearing in mind it goes on for infinity.

If one uses a value for pi using only the first few terms it gives a very approximate value. Knowing pi to 39 places after the decimal allows one to calculate the circumference of the Universe, accurate to the radius of a hydrogen atom.

jeudi 12 juillet 2007

So here we are furious about the HP V movie

So angry... words cannot describe... the ridiculous... idiotic...terrible!!!... how could they.... massacre... Harry Potter and the order of the Phoenix... What?... to deserve such a?... bastards...

So no, I didn't like HP OotP: the movie. Why? How long have you got?

To start: it is obviously difficult to condense such a huge book in to two and a half hours of film, but that does not explain why the longest HP book is a shorter movie than HP IV! What is even more annoying is the fact they got rid of so much of the original story while ADDING new bits that are not in the books, or hideously distorting the original genius.

The little that was good:
Dudley
Extendable ears
Thestrals
Dolores Umbridge and her office
Luna Lovegood
Bellatrix Lestrange

And to be fair, Dan Radcliffe as Harry has improved.

Now for what was crap, in no particular order:
HP and the Order of the Phoenix? We see about 2 minutes of the Order.
Grawp? A huge friendly giant who falls in love with Hermione.
Quidditch? Weasley is our king? Nope, delete all quidditch.
Weasley twins' fireworks and exit? Well, they are fireworks, that's it, nothing special, no swamp
The DA? Somehow assembled, no Marietta, CHO is the sneak, only she was forced too, Veritaserum you see... no real betrayal, no pimples, no fun.
Grimmauld Place? Kreacher but no portrait of Sirius's mum, no real sense of the place.
Snake attack on Arthur Weasley? incomprehensible. Mr Weasley is taken ill then is better in less than 40 seconds.
Umbridge is ghastly, fine, but all the DA get the "lines" punishment. No build up of Harry's rage.
The death eaters? they apparate in a cloud of black smoke and have Darth Vader masks, pathetic.
The DA? We have no idea who they are, just a bunch of faces.
OWLs? Briefly referred to, but no stress, revision, or any classes.
The Room of requirement? Not a DADA room at all.
The Ministry/ Dumbledore feud? Condensed to a couple of Daily Prophet headlines: no Percy.
The cutting of elements that may seem superfluous to the "plot" (Quidditch, Hogsmeade, the ambience of Grimmauld Place, the Firenze/Trelawney feud, OWLs, Sirius's James/Harry fixation, Harry's progressively more explicit dreams, St Mungo's, the Occlumency and pensieve saga, Weasley's Wizarding Wheezes etc etc): the incredible HP series has turned into your basic teen action movie, removing background, psychology of the characters and therefore all coherence in one swift edit.

But worst of all, the fighting scene in the department of Mysteries, the best scene in the whole series in my opinion, which could have given some amazing, real time action disappears. The DA run for it, all are fine, none are even wounded! They go straight in to the Prophecy room, hear the prophecy (!!!!) then escape. Dumbledore arrives and saves the day. The fountain doesn't wake up. Wow, what a climax.

Harry goes through hell in that book, and is a stroppy little shit. In the movie, apart from the odd line that makes it clear that he is suffering from teenage angst ("I'm just so angry", poor kid) there is none of the envelopping darkness that leaks out of the book. He doesn't even argue with Ron and Hermione! just answers a bit rudely from time to time.

And all the bits that are just ILLOGICAL: what the hell is Luna doing walking around the forbidden forest? why does the Order, at the beginning when they rescue Harry, fly at ground level? Statute of secrecy?? Why on earth does Umbridge use Veritaserum on everyone but Harry, who would be first on my list (didn't think that out before you changed the book did you, you wankers?) Why does everyone know about the goddamn Room of Requirement (and can see the door to it!!!), doesn't that defeat the whole point????

The people who created this movie have totally and utterly failed to recognise that the whole point of HP is not the bloody story line which is pretty bloody basic (hero leaves home, hero identifies enemy, hero fights, falls in love, fights more etc), but the fact that it is an extremely well developped and coherent universe that, thanks to its level of detail, is an amzingly rich parallel world that one can immerse oneself in.
There is soppiness without any darkness, and long long close ups of people's faces. Time could have been much better used (I am very bitter about the lack of fighting at the ministry.)

The first twenty minutes were ok... Dursleys do the trick, hearing at the Ministry is good, first few minutes at Hogwarts are ok. Then the director must have realised they still had 700 pages left to do in under two hours, and it just barrels ahead, incomprehensibly. Any person who has not read the books would not understand a thing I should imagine.

The other films were bad, but at least give enormous pleasure because they illustrate all the great and quirky details of the book (Quidditch, Marauder's map, different classes etc). In this movie, those details are gone and all is left is a rather complicated plot that has to be struck down in to a series of scenes, many of them too short, others made up (cf Luna in forest, Grawp and Hermione lurve, Filch waiting outside Room of requirement, Luna's shoe dilemma), some too long and soppy (giggles between the three, the blurb at the end :"We've got something worth fighting for", retch)

I am so disappointed, and because all the details that make the movies enjoyable have gone, I will not sit through it again. God! I was actually bored! That's what happens when you already know the end and there is nothing else to keep you hooked.

The makers of the Harry Potter films must absloutely determine who they are making them for. Those who have read the books? then don't fucking edit the best bits. Those who haven't? then cut away but make the plot shorter and more comprehensible, better paced and clearer.
Ideally two sets of movies should be made: a short series for kids & teens & those who can't be bothered to read, a bit like what we had with movies I, II & II. In parallel, blow the budget and make a fifty hour long saga, with every detail, every line (and not one more!!!), every character, every scene. If it seems like a huge investment, I would bet anything that the producers would make their money back within a month.

Roll on Book VII, at least J.K. Rowling knows what she is doing.

mercredi 11 juillet 2007

So here we are at the Hammam

If you are in a hurry, just remember this: go to a Hammam. I went to this one.

Next to my university is la Mosquée de Paris, a huge & beautiful Mosque with a reputation because of its tea shop, restaurant and hammam. We once had an Economics lesson there during the student strikes against the CPE (Spring 2006) which is when I first went. After stepping in to a parallel universe off the street, you land in a leafy courtyard, which leads to a huge restaurant that is divided into several small rooms all done in a Moroccan style. One eats delicious tagines off huge brass tables plates (the tables) and drinks mint tea. But I digress. Souzana, Laura and I ate there on Monday (to celebrate the holidays!!!); today we tried out the Hammam.

We met around eleven, and went off, this was a first time for all of us. Through the courtyard and in to the first lift sized little hall. One door on the right leads to the restaurant, another ahead to the garden and on the left there are hundreds of pastries on display. The Hammam is behind a door, at "8 o'clock" when you come in, next to the pastries, and difficult to see.

First small room, like the hall with Moroccan furniture, mosaics, overhead lights, all very Arabian and nice. Then it's slam bang into the hammam through a large wooden door. On the left is the cash register. We took a formula (38 euros) where you get black soap, an exfoliation, a massage and tea.

To get to the changing rooms, you have to walk through this first room which has got a fountain in the middle and huge, raised cushions all around to lounge on. Around the founain there are four massage tables, and (mostly) topless women lay about waiting for their number to be called.

To the left is a corridor which leads to another corridor, this time with lockers in it. Everyone changes in this very narrow room (no way could two people pass each other in it). Laura put on her bikini: "no way am I taking the top off"; Souzana put on her sporty swimsuit; I realised I had left my hideous (yet functional) bikini at home. Underwear (thank god I put on the cute black nylon ones and not my white cotton mega pants) and my bra. We slipped down the corridor (as one would in a Moroccan decor swimming pool) and through a small door. In front of us a flabby old Maghrebine matron was rubbing some poor soul with a black glove. We tiptoed round them in to another small grey marble room where women were waiting for their turn to be rubbed. There were four showers at either end. Then it's into the hammam per se.

A first room looks grey, and is empty except for a stone ledge and, wait for it, a 15 meter hose with a nozzle that looks like a spaceship. More of that later. It's warm and humid and stuffy at this point, but then we go in to the main room. This is huge, with pillars, mosaic, marble, a huge raised dais in the center for lounging, niches all along the side, all very quiet with just the sound of low chatter mingled in steam. Within seconds the three of us were topless, like everyone else.

At the end of this beautiful center of the Hammam is a small, square room that it darker with a deep orangey steamy light coming from the glass window. This is the hottest room. One sits or lies on the ledge near the door and SWEATS. Not a couple of drops down the forehead, or all over claminess, but rivers running down, dripping, blinding. Every few minutes, a new wave of heat belches in here, fresh from the furnace or whatever. There is an (empty) star shaped pool up some steps at the end of the room, with a ledge that runs all round it, but it was physicaly impossible to walk up the steps or approach the basin. in fact standing up was a challenge because of the layer of heat that sat above us. This was not the blast of heat you get when you get out of the plane in India, this was very hot oven hot, impossible to breathe, choking, blistering skin hot. This was, in essence, steam that has just come from water that had been thrown on a fire. Does that make it 100°? It certainly could have been.

It's ok to sit in here because heat rises, but after a bit it makes one dizzy, probably from the dehydration, so we decided to black soap ourselves in the main room. We found a niche of our own, the size of a large car, and got down to soaping up, ourselves first then the others' backs. This black soap is like jam, and is made of olive oil mostly I think. Very slimy and rich. We let it soak, then went in to the empty hose room. The hose is a instrument of genius, exactly how I imagine the Karcher Sarkozy said he would use to hose away the banlieue scum. Its blast, from ten feet, hurts if you press too hard so one releases the grip and it just flies like a industrial sprinkler. And the water is cold. After the heat of the Hammam it is an incredible experience.

We moved back to the rooms (hot and main) for a bit then started queuing, still naked and all prudishness gone, sitting along the stone ledge in the corridor we had come through earlier. Everything, showers and rooms are open and everyone is fine with this. As we get closer, we see that Mad Maghreb Matron is rubbing the poor victims with the same strength as before, and they looked in pain. A woman we asked as she crawled to the showers confirmed. Laura went first and it went fine, then it was Souzana and finally me. First on my back, she rubbed all over my chest, legs, tummy and arms, afterwards she rolled me on to my front, and attacked my back and back of legs. Suddenly she grabbed my knickers, slapped them in to a thong and yanked them down. She did my arse, under the watchful eye off all those queing, and Laura who was in hysterics in the shower.

Showered off dead skin and felt soft. Time for massage. We took our mint teas and lounged nudely on the cushions in the fountain/massage table room. We had to wait an hour and a half in the end. We sipped tea, chatted, watched people go past, younger girls in swimming costumes looking vaguely uneasy, the Japanese whom we had thought prude at first with their sarongs but were now bearing all, older French women in packs. We lazily watched the women being massaged with liberal amounts of oil, went back for a blast of hot room and hose, had a shower, lounged some more, taking in the stained glass windows, the Moroccan architecture. It is impossible to describe how relaxing this was: waiting for a massage while the muscles recovered from the heat and steam and humidity.

At last it was my turn. The nice middle aged lady ordered me about: "tourne toi ma fille, plus haut ma fille, la tete là ma fille". First she did my front, covering me with gallons of oil, not massaging hard deep in to the muscles, more rubbing them softly with circular hand movements to get the oil in. She found my sciatica and gently rubbed oil in along my leg, warming it. She found my bad back, from too much hunching over computer (Laura and Souz had the same one!) and softly ran it between her fingers. After 10 minutes I was dozing and have never been so relaxed. I went back to the cushions while Souz and Laura were being done. Warm and relaxed and feeling drowsy. We showered off about ten liters of oil (leaving a slick layer on our skin all the same) and got back to the vestiaire.

We left feeling dozy and relaxed and incredibly clean, as well as a little bit stoned. We felt as if we had just swum twenty miles in the ea then had warm soapy showers.
Once outside reality hit us. We're in Paris, near the uni, and we're late for our rdv with Lucyna. We're hungry, we're thirsty, we've got to find the bus, our hair is full of fucking oil!! We floated about, strolled, giggled at Lucyna who had been waiting for an hour and a quarter at St Michel, ate. Went back home feeling exhausted. I had a whisky with a neighbour and almost fell asleep.
As I write, stiffness is leaking through as if I'd exercised rather than just sweat on a cushion. My tummy feels flatter and my skin is soft and silky and I feel terrific, in and out.

Amazing. I'm addicted

mardi 10 juillet 2007

So here we are laughing at the drunken dog

I found this story on craigslist. Thanks to the author whoever she is for this hilarious tale.

******

We have a dog by the name of Kismet. He came to us in the Summer of 2001 from the rescue program I was heavily involved with. For those of you who are unfamiliar with this type of adoption, imagine taking in a 10-year-old child whom you know nothing about and committing to doing your best to be a good parent.

Like a child, the dog came with his own idiosyncrasies. He will only sleep on the bed, on top of the covers, nuzzled as close to my face as he can get without actually performing a French kiss on me. Lest you think this is a bad case of no discipline, I should tell you that hubby and I tried every means to break him of this habit including locking him in a separate bedroom for several nights. The new door cost over $200. But I digress.

Five weeks ago we began remodeling our house. Although the cost of the project is downright obnoxious, it was 20 years overdue AND it got me out of cooking Thanksgiving dinner for family, extended family and a lot of friends that I like more than family most of the time. I was, however, assigned the task of preparing 124 of my famous yeast dinner rolls for a delayed celebration among friends this past weekend. I am still cursing the electrician for getting the new oven hooked up so quickly. It was the only appliance In the whole house that worked, thus the assignment.

I made the decision to cook the rolls on Friday evening to reheat on Saturday morning. Since the kitchen was freshly painted you can imagine the odor. Not wanting the rolls to smell like Sherwin Williams latex paint #586, I put the rolls on baking sheets and set them in the living room to rise for 5 hours. After 3 hours, hubby and I decided to go out to eat, returning in about an hour.

An hour later the rolls were ready to go in the oven. It was 8:30pm. When I went to the living room to retrieve the pans, much to my shock one whole pan of 12 rolls was empty. I called out to Kismet and my worst nightmare became a reality. He literally wobbled over to me. He looked like a combination of the Pillsbury dough boy and the Michelin Tire man wrapped up in fur. He groaned when he walked. I swear even his cheeks were bloated.

I ran to the phone and called our vet. After a few seconds of uproarious laughter, he told me the dog would probably be OK, however, I needed to give him Pepto Bismol every 2 hours for the rest of the night. God only knows why I thought a dog would like Pepto Bismol any more than kids do when they are sick.
Suffice to say that by the time we went to bed the dog was black, white and pink. He was so bloated we had to lift him onto the bed for the night.

Naively thinking the dog would be all better by morning was very stupid on my part. We arose at 7:30 and as we always do first thing; took the dogs out to relieve themselves. Well, Kismet was as drunk as a sailor on his first leave. He was running into walls, falling flat on his butt and most of the time when he was walking his front half was going one direction and the other half was either dragging the floor or headed 90 degrees in another direction. He couldn't lift his leg to pee, so he would just walk and pee at the same time.

When he ran down the small incline in our backyard he couldn't stop himself and nearly ended up running into the fence. His pupils were dilated and he was as dizzy as a loon. I endured another few seconds of laughter from the vet (second call within 12 hours) before he explained that the yeast had fermented in his belly and that he was indeed drunk. He assured me that, not unlike most binges we humans go through, it would wear off after about 4 or 5 hours and to keep giving him Pepto Bismol.

Afraid to leave him by himself in the house, hubby and I loaded him up and
took him with us to our friend's house. A 10 to 15 minute drive. Rolls firmly secured in the car (124 less 12) and drunk dog leaning from the back seat onto the console of the car between hubby and I, we took off.

Now I know you probably don't believe that dogs burp, but believe me when I say that after eating a tray of risen unbaked yeast rolls, DOGS WILL BURP. These burps were pure Old Charter. They would have matched or beat any smell in a drunk tank at the police station. But that's not the worst of it. Now he was beginning to fart and they smelled like baked rolls. God strike me dead if I am not telling the truth! We endured this for the entire trip, thankful she didn't live any further away than she did.

Once Kismet was firmly placed in my friend's garage with the door locked, we finally sat down to enjoy our celebration with friends. The dog was the topic of conversation all morning long and everyone made trips to the garage to witness my drunk dog, each returning with a tale of Kismet's latest endeavor to walk without running into something.

Of course, as the old adage goes, "what goes in must come out," and Kismet was no exception. Granted if it had been me that had eaten 12 risen, unbaked yeast rolls, you might as well have put a concrete block up my behind, but alas a dog's digestive system is quite different from yours or mine. I discovered this was a mixed blessing when we prepared to leave my friend's house. Having discovered his "packages" on the garage floor, we loaded him up in the car so we could hose down the floor.

This was another naive decision on our part. The blast of water from the hose hit the poop on the floor, and the poop on the floor withstood the blast from the hose. It was like Portland cement beginning to set up and cure. We finally tried to remove it with a shovel. I (obviously no one else was going to offer their services) had to get on my hands and knees with a coarse brush to get the remnants off of the floor.

And as if this wasn't degrading enough, the dog in his drunken state had walked through the poop and left paw prints all over the garage floor that had to be brushed too.

Well, by this time the dog was sobering up nicely so we took him home and dropped him off before we left for our second celebration at another friend's house.

I am happy to report that as of today (Monday) the dog is back to normal both in size and temperament. He has had a bath and is no longer tricolor. None the worse for wear I presume.

I am also happy to report that just this evening I found 2 risen unbaked yeast rolls hidden inside my closet door. It appears he must have come to his senses after eating 10 of them but decided hiding 2 of them for later would not be a bad idea.

Now, I'm doing research on the computer as to how to clean unbaked dough from the carpet, and how was your day?

So here we are marvelling at insects

Nature really is incredible, how about these for a couple of amazing facts?

How do bees kill hornets?
bearing in mind a hornet is roughly fifteen times the size of a bee

and

Why do certain non-swimming grasshoppers leap into water?
No, the answer is not because they are are suicidal.

Thought about it?

Ok.

Bees kill hornets as a group but more interestingly still they "microwave" them. The bees, anything between hundreds of them and thousands, forms a tight circle around the hornet and rub their wings together. The friction makes the temperature rise to 47° C at which point the hornet dies. Even more amazingly, bees can only survive up to temperatures of 48°C...

Certain non-swimming grasshoppers are hosts to a parasite that grows until it becomes a worm, and starts feeling a bit tight inside. The grub also wants to reproduce. So it secretes a chemical that acts on the brain of the grasshopper and convinces it that it needs to get to water. Now. So old grasshopper leaps, drowns and parasite leaves home.

Another amazing insect fact I learnt the other day concerns those big ugly buzzy buggers that are currently invading some part of America. These are harmless but relatively rare as they only turn up every 17 years. When they do come out after nearly two decades of grubbiness underground, they are immediately and massively eaten by the rest of wildlife, who regard them as a bit of a delicacy. That said, enough survive to breed and within a few weeks all are gone and a new batch starts its 17 year infancy.

Why 17 years then? The explination for this comes from a book I read about prime numbers and explains these numbers' presence in nature. The fact is, these bugs are so tasty and sought after by other creatures that in order to survive (or rather the reason they have survived) they have to make sure that their cycle does not coincide with those of too many predators. By only appearing every 17 years, any animal that has a two, three, four, five, six and all the way up to 17 year breeding cycle will not coincide with that of our bugs.

Let's put it another way. If these bugs popped out every 16 years, their apearance would coincide with predators who appear every two years or every four years. If they spent fifteen years underground, they would coincide with those who had three or five year cycles.
These coinciding cycles mean extra predators, and if the poor bugs spent twelve years underground they would come out only to be eaten by those who have 2, 3, 4 and 6 year cycles, and they would probably be extinct.

dimanche 8 juillet 2007

So here we are going to the third in the series

Some people appear to be bored with the Shrek series; my French friends (who, like most French manage to combine intellectual arrogance with a passion for cartoons) reckon its losing its originality and not as funny as the others.
Well I loved Shrek 3. First of all, of course it is not original, that's why it's called Shrek 3, not Shrek. As for being funny, I think it's rather cool to have Shrek go through pre-baby blues, to see a medieval high school, to have Merlin as a cracked magician, to cross breed donkeys & dragons and to have a fairy tale equivalent of the Women's Institute. What I like about Shrek is that it is fast, either you get the joke or you don't, but there are no dragging explanations or sloppy emotional scenes. The story barrels ahead, up to you to work out the (excellent) jokes, get the many hidden references, or not.
I reckon the French don't "get" Shrek because Shrek is so obviously anglo-saxon. While some references are international - Cinderella, Merlin and Puss in Boots to name just three- others are either English nursery rhymes (I've never heard a French equivalent of Three blind mice), or based on Anglo culture (this is particularly true of the high school scenes with its ghastly camaraderie and bullying). I reckon about half of the jokes in Shrek are either culturally biased and/or based on an untranslatable play on words. This, I think explains why this Shrek (which I believe is funnier than the others), does not go down so well with the French fans. All hypothesis of course, but the same problem in reverse can be found in Anglophone versions of Asterix.

I loved Pirates of the Caribbean I, I thought it was rather cheeky to adapt a funfair ride to Hollywood, but Johnny Depp and a half decent storyline saved the day at the time. PoC II was baad, save for one scene where Depp makes a fool of himself. Other than that I have a memory of it managing to be both too long and have nothing happen in it. A bridge between I and III I remember thinking at the time.
Well PoC III is just rubbish. I don't think I smiled at all, except maybe when Keith Richards appeared, holding a shrunken head: Jack Sparrow's mum & dad. But nearly three hours for what? Very impressive fights with amazing special effects, though it was never clear who was fighting who, and why. In fact, I was relieved when I came out of the cinema to hear someone say: "J'ai rien compris". Neither did I. Far too many plots that don't lead anywhere: Calypso, Squidman, the end of the World. The very scene the movie is named after is over 45 minutes into this very very long film, nearly three hours is just too long. Keira & Orlando need slapping, their wedding scene is the corniest thing I have ever seen. The Singaporians are caricatures and do nothing of interest; the Pirate brethren, interesting concept, is over quickly without any development. Too much bang, not enough story, terrible acting from about 2/3rds, too long....
All in all, absolutely shit. To think they're threatening us with others....

Finally, I also saw Ocean's 13 this week which, like the two previous, I loved, and even more than usual. First of all, there is a slight twist on the usual plot, as this is a revenge mission directed at a very slimy Al Pacino. Second, in takes place in Las Vegas, and is full of subtle filters, angle shots and god knows what other filming techniques that give it an colourful ambience. Soderbergh is a great director, and I especially like his editing techniques which make every scene perfectly timed and nicely strung together. The story is pretty basic: making a casino go bust on its opening night, but the subtle, darkish humour, the good acting, the weirdness of the caracters, the fact that it doesn't take itself seriously makes it original and great. I also love the fact that this is an action movie that doesn't rely on a token girl model to make it interesting. The only two women in it are the receptionist (who is an accomplice) and a buxom blond businesswoman who gets hoodwinked by Matt Damon. Neither make you want to go anorexic any more than they make you want to work for Al Pacino. Of course, there is also the presence of George, Brad and Damon (parmi d'autres) who make it just great! Brad in a white raw silk suit, George's eyes and even Matt, not my usual style, is sweet because his caracter is touching (that horribe nose!). As action movies go, the fact that Ocean's 13 has no token romance, is beautifully edited, is funny (a bit like Die Hard I guess, but classier) places it among my favorites.

jeudi 5 juillet 2007

So here we are reminiscing about Coombe road

It's one of those strange things: you wait and wait for a day to come then, when it's finally there, you wish you were months away. I started this blog around the same time I began to seriously think about the bloody mémoire. This correlation was no coincidence: strapped to the desk and chained to the computer for weeks, I needed something to do that wasn't European politics related. So for weeks I scribbled the blog and wrote the infamous bloody mémoire, waiting for one thing only- the day it would be given in and I could finally be on holiday.

So here we are, on holiday, and feeling lower than low and far worse than I did at any point of the bloody mémoire. Some friends reckon it's because I put so much (actually, everything) in to the mémoire, that I now need to go through my transition phase. Others reckon that it is down to nerves about next year: should I write a thesis? should I get a job? what jobs should I apply for?

I think there is a bit of both in this, but the biggest reason of all I reckon is that I am bored out of my fucking brain. My friends are either working or on holiday, my best friend is out of town, as are my boyfriend and my parents. So here I am, in grey muggy Paris (some July we're having here), with a movie card and lunch-and-drinkie-dates with aforementioned working friends, but there is nothing to get my brain into during the day, or rather nothing that can even begin to be compared to the intellectual investment the bloody mémoire demanded. I've got the point where I am researching Harry Potter (not just reading, but taking notes and testing hypothesis- how sad), inventing recipes (dozens of them, I have all this cooked, rotting food in the fridge), watching seriously bad movies (Pirates of the Caribbean III managed the no-mean-feat of being even worse than PoC II), and even walking to places instead of taking the metro (not in cutesie areas of Paris, but ugly ones). All in all, the hours stretch ahead endlessly.

This is not to say I don't have anything to do. I should be seriously looking in to the thesis option, getting in touch with Prof Mouchard to ask him carefully thought out questions about the next step in my higher education. Failing that, I should be looking in to the European think tanks, and start sending them amorous covering letters, CVs, and copy of the bloody mémoire. All I've done so far is suscribe to the e-newsletter of one of the left-leaning (Social-Democrat) think tanks based in Paris, Notre Europe.

Other than that, I should be doing the annual clean-up of the flat, maybe even change the furniture around, and generally look in to the court case that my residency is about to launch into (against the wood yard that lives and works downstairs, it's a long story). Finally, I could of course be volunteering to hand out soup, teach underprivileged kids to read, or working with the mentally ill (i.e. hanging out at my local café). Despite this plethora available to me in the City of Lights (finest museums in the world et al) I find myself at home, bored, bored, bored, too bored even to get up and stop being bored.

It sounds really dumb, but that's how bad it is. Knowing me, this will only last a few days before I spring up in a flurry of activity and start redecorating the flat while printing CVs while having dinner with friends while on the phone to the lawyer. I go on holiday in a couple of weeks (to Italy for four days with my parents and Harry Potter VII). Until all that happens, I am currently suffering from what I call "Coombe Road syndrome."

Coombe Road was the house I and three mates (all boys) shared during our second year of uni in Brighton. Liban, James, Raj and I met on our very first night at university. It was early September and all of us were starting our first year, and living in Hove, Brighton's siamese town, where the uni had some student residences. James, Liban and I lived in Holland Road, Raj in Brunswick Place, just around the corner. We (and a handful of others) became friends that fateful night after Nicole, our friendly Residential advisor, asked who wanted to go down to the pub to introduce ourselves over a few beers. Only a few hands went up: mine, James, Liban's and Raj's among them. We became firm friends. At the end of our first year we decided, now that Holland House was kicking us out, to find a house together as most second-years do.

Finding the dreaded Coombe Road was a nightmare in itself : it all came down to Liban to find a place to live. Liban is both the funniest and nicest guy I've ever known, but he is also the most disorganised and leave-it-till-later bloke in the world. He was left with firm instructions: four bedrooms, not-too-far from uni, nice, furnished, near shops, cheap, garden (I had a vision of being the perfect modern Hausfrau and raising chickens for lovely organic eggs), near the sea, near the centre of town, etc. I set off for India with my friend Olivia, James went back to see his girlfriend in France, Raj disappeared back to Londonstan where he comes from. Good luck Liban.

To his credit, he did find us a house, around end of August if I remember. Unfortunately, it was 108 Coombe road, the worst shithole known to students. Liban found the place drunk and in the dark, which I suppose didn't exactly bode well. He was off to Italy with Kate, and found and answered the ad the day before. He visited after dark, said yes, and then fucked off on holiday. We all heard the news in our respective holiday places, and were ecstatic, it had looked as though we wouldn't be living together for lack of house, and this was terrific news.

The first thing I remember about Coombe Road is the fact it is a sodding great big hill. I got to Brighton early September and met my friend Teherul at the station. All I remember is us puffing up a quarter of a mile of very steep hill, before climbing up another 200 meters of excruciatingly steep hill. We made it. Coombe road is a typical street of small, terraced houses, in a working class/student neighbourhood off the main road, halfway between the center of town and the Uni, i.e. in the merry middle of nowhere. The shops were a petrol station, an overpriced Indian cornershop that stocked nothing but Pot Noodles, Marmite and out-of-date frozen dinners, and a garden center. To get to town was at least a 15 minute bus ride, to get to uni was at least a 15 minute bus ride, and to get anywhere meant, one day, having to come back up that horrible hill.

The garden was overgrown, the kitchen hideous and out-of date, the bathroome avocado and leaky, the living room grey. Then there was the bedroom issue. One of the bedrooms was huge and lovely, another was big and the nicest as it gave on to the garden. One was medium sized and downstairs, its window giving on to a freezer and washing machine annexe that gave on to the garden. The fourth bedroom was under four square meters. It was obvious some people were going to get a bad deal, so we decided to swap the bedrooms every so often. Raj refused, and so we pulled short straws. I got downstairs bedrom, Liban got the tiny one, James got the medium one, and, twisted fate, Raj got the massive one. To cut a long story short, I hated the downstairs one as it had no window and was next to the kitchen, so I ended up with the tiny one for two terms, James taking it for one term. We never forgave Raj for being such a selfish dick.

Bedrooms aside, Coombe Road became the place of nightmares. Four sloppy students left free in a not-very-nice house of their own can only lead to disaster. We were the archetypal student tenant nightmares. The front room became a giant ashtray, the hideously ugly (and amazingly comfy) armchairs and sofa became hiding places for old plates, beer cans, lecture notes and bills, cigarette ends. Through spilllage and dirty shoes, the carpet went from the colour grey to an indeterminate greyish colour; the dust, the smell... All that was "civilised" about that front room was a huge TV, complete with about a thousand channels. The boys had got it on the very first day, before they even signed up for electricity.

The kitchen which had been old fashioned but at least clean when we arrived became a mad-biologist's lab. I clearly remember some orange juice being spilt around February, and James furiously scraping the mould off the floor the following August before we gave the keys back. The oven became a oily grotto of old fat and cheese and forgotten bacon slices. The microwave was revered. The washing up, which never happened except when a not-too-foul plate could be salvaged, was everywhere, in various nuances of mould, the sideboards were under three inches of crumb, grease and dust. Smells belched out of the sink, which was clooged with weeks worth of decayed food. All in all the kitchen was best avoided, which is why we never set foot in the garden more than once (it became jungle, the chickens were forgotten on day 3) . When James's girlfriend Chloé (known as "the bitch Chloé" or "the fat bitch" when James was out of the room) came to stay, she jolted to a stop the second she came through the front door, taking it all in. The next day, rubber gloves were being ripped out of packets and bleach bottles being unscrewed. As good friends, Liban, Raj and I left the house to give James some quality time with his girfriend. That evening, the kitchen was spotless, and over dinner (dinner!) Chloé described the various mushrooms she had found in our sink and behind the appliances. She was evidently horrified that we corrupting James like this.

The bathroom was also bad, full of dark mould in the corners, old puddles of damp and the smells one associates with three young men. The loo didn't have much pressure and we were always out of paper. Soft porn belonging mainly to Raj sat next to the sink, which I disliked more than all the mould in the house put together. James once attacked the bathroom with bleach and did a fine job. Liban was good at doing the living room. I tended to go around doing the little things, like throwing out papers, emptying the bins. Raj however did nothing, and was proud of it. I his defence thoughwe were all terrible. Our landlord, a real geezer in his late 20s called Toby would sail in from time to time for rent and to nick hash off us. he was always bitching about something but we took no notice.

Over the months, all of us became incredibly depressed though it came through in different ways. Raj disappeared to London half the week every week (despite having biggest bedroom, snarl). James went about stoned; he had a car and could disappear a bit, he also had a decent room but was not mean about it unlike Raj. He spent most of the time in there, smoking joints. Liban stopped leaving his bed during the day and disappeared to Kate's most evenings. I got in to a routine of spending as much time at uni as I could, then coming back to my tiny impeccable room and reading for hours. James & I got closer, as we did with Liban, though he was now clearly screwing up his year. I can't remember how but James, Raj & I got our year.

At the time, I was depressed beyond belief, in this horror house with a bunch of selfish dicks, hating economics (this was before I specialised in the interesting stuff), going from my tiny room to uni, then back up the hill in the evenings. Liban and I turned to deep conversations and both strated writing poetry, his good, mine terrible. This is the only example I have of my stuff, which I clearly remember writing in an evening, sitting cross legged on James chest of drawers, with Liban and James nearby.

Ink flows more slowly than time
Yet immortalises the present, meaning I'm
Remembering, but forget what occured,
My feelings lost when turned into word.

Poets say that language was wrought
To give texture to knowledge and thought,
Transmit experience and allow to reveal
Other minds, so as to know what we feel.
Poets even conceive the empty as worthwhile,
By inducing feelings with the power of style.

So why do my thoughts, in words, confuse?
My mind is clear but my hands abuse
Some vital messenger, until a drunken scribe
Corrupts the purity of what I would describe.
So my language does not make the message transcend,
Nor does it beautify, innovate or defend.

It yearns to duplicate heaven and hell-
In vain! It poisons pleasure and pain.

Terrible, I know, but it illustrates the gay mood I was in pretty well.

We left Coombe Road at the end of August, having, I think about 24 hours to clean the place. It was hideous, and when the mad geezer Toby came to check everything was ok, Liban and I nervously laughed till we cried as we ran from room to room trying to hide all the stuff we had broken, dismantled, forgotten to clean and stolen. A long, thin wardrobe I had been using (on its side) as a window seat in Liban's room gracefullly collapsed seconds after Toby left the room, Liban had been oh-so-discreetly trying to hold it in place when he had toured the bedroom. The daggers at the top of the stairs had broken the first day and no one could find them. The washing machine (which had leaked continuously for the past 6 months, including one time when it poured through the carpeted corridor out of the front door) was bust. The sitting room carpet had dissolved from beer and ash. Most of the furniture was scratched, burnt, broken, or missing. I can't remmeber how much he took from our deposit but it was a lot.

lundi 2 juillet 2007

So here we are speaking latin

I was hopeless at latin at school and eventually got kicked out of the class (still took over two years though.) Today, under the influence of an interest in linguistics and the whole coolness that surrounds a dead language, I'm tentatively trying to get back down to basics.
The grammar is hideous, but there are many phrases that people use in everyday life or have at least heard of. This link is fascinating, and I have just spent a happy hour measuring my ignorance!

dimanche 1 juillet 2007

So here we are at the Elysée Montmartre


It's tonight! Venez nombreux et votez Furykane!

*****

(written much much later, after one too many beers)

We wooooooooooooooooooooooooooooooooooooooooooooon!!!!!!!!!!!!!!!!
Or rather they won!! Yes, Furykane are the best of this year's Emerganza batch and have won the French final!!! Now they are off to Germany to become the best of Europe.
As a long time friend of Quentin's, and a Furykane groupie, here is a heartfelt UUUUUUUUUUURRRRRRRRRRRGGGGGGGGGGHHHHHHHHHHHHHHH!
(metal style)
and all the best for Kris, Max, Quentin, Jen and Jérôme.

BRAVO FURYKANE!!!!!!!!!!!